About the studio

A small studio that publishes slowly.

We make one thing carefully: writing that respects your attention. Every piece is researched, edited, and set like a paper editorial, then handed to you to read at your own pace.

An editorial desk with notes and reference material, the working space of the studio

Why Marginalia Studio exists

We started in 2018 on a plain belief: good writing about the inner life should be easy to find and easy to trust. Most of it is neither. So we made a journal that treats reading as the point, not the bait.

Every piece is reported, edited, and set like a paper editorial. One column, a calm measure, type chosen for the long haul. The page steps back so the writing can carry its own weight.

We work from Lisbon and a handful of quiet desks elsewhere. We are not large, and we like it that way.

What we hold to

Four things we will not trade away.

Accuracy

We get the facts right and show our sources where it matters.

Clarity

Plain language, the answer up front, and nothing padded for length.

Independence

Reader-first, never sponsored, never written to chase a trend.

Patience

We publish when a piece is ready to be read, not before.

The desk

The people behind the work.

Tamsin Okonkwo

Founding editor

Tamsin shapes the studio voice and edits every long-form piece line by line before it reaches the page.

Reuben Castellano

Research lead

Reuben tracks down primary sources, checks the claims, and keeps the accessibility reporting honest and current.

Priya Venkataraman

Reader desk

Priya reads every note that comes in, replies in her own words, and folds reader corrections back into the work.

Have a topic in mind?

Tell us what you are trying to understand. We read every note and reply in our own words.